![]() However, while all that worked, the problem with Karli Morgenthau and the Flag Smashers persisted, and the villainous group were as directionless here as they were in the premiere. As for "The Whole World Is Watching," the spotlight was put firmly back on the new Captain America for an action-packed effort that saw the Dora Milaje shine, while delivering a final scene that, quite honestly, we'll never be able to shake. Yes, the retcons were a tad on the nose, and we're still not sure what the mask achieved beyond simple fan service, but this fresh interpretation of the villain has helped cement his place in the MCU as a possible anti-hero. John Walker immediately intrigued us, and the Flag Smashers impressed in terms of being a formidable threat to Sam and Bucky (that's about as good as things got for them).ĭerek Kolstad wrote the middle two chapters of the six-part series, and while "Power Broker" glossed over Madripoor far too quickly, it more than made up for that with an awesome new take on Baron Zemo. It was a major departure from Spellman's sombre opener, but Michael Kastelein brought some big laughs, and the sort of interactions between Sam and Bucky we wish this series had delivered more. The ideas in this premiere would have been glossed over had we jumped straight into a Captain America 4 with the two heroes, and a compelling cliffhanger got us hooked right from the start. "The Star-Spangled Man," meanwhile, might have been The Falcon and The Winter Soldier's best episode. "New World Order" kicked off with a superb extended action sequence that immediately made it clear Marvel Studios is looking to make as significant an impact on the small screen as the big one, while its exploration of Sam Wilson and Bucky Barnes' lives away from The Avengers helped add some much-needed depth to them both. However, while The Falcon and The Winter Soldier is by no means perfect, it does achieve what it set out to do by finally bringing some hard-hitting real-life themes into the Marvel Cinematic Universe, and effectively exploring what it means to be a Black Captain America in today's world. As a result, it's fair to say that this team-up has been an inconsistent experience, even though every episode has been either great or very good. That hasn't really affected how we viewed this series, but the Scarlet Witch's story definitely never varied as much in terms of quality on a week-by-week basis (a sign perhaps that Jac Schaeffer was a stronger showrunner than Malcolm Spellman). The Falcon and The Winter Soldier was supposed to be the first Marvel Studios Television project to hit Disney+, but the pandemic meant we got WandaVision first.
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